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For many scholars, Buster Keaton and Charlie Chaplin are the best and most important representatives of silent film comedy. How can we begin to compare them â€“ their worldviews, their styles of comedy, their personas?! Choose four scholars (two for Keaton and two for Chaplin) and trace how these scholars frame the comparison. What, for these scholars and for you, are the most important similarities between their work? What are the most important differences? (Possible sub-approaches: body/object/machine; industrialization/labor/human agency; social class and love relationships including but not limited to heterosexual romance)